From Idol to God: Feminine Apotheosis in Mina Loy’s “Parturition”

Rosette Simityan On the eve of the Great War, Mina Loy published “Parturition,” a poem that exploded and imploded the child-birthing experience into not-so-simple English by painting its radical subject matter with an experimental writing style that manipulates space and rhythm. Childbirth is not, after all, a simple act. According to Loy’s cosmic vision, itContinue reading “From Idol to God: Feminine Apotheosis in Mina Loy’s “Parturition””

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